THE RECOVERY OF THE LAND IS NOT A MUSEUM
The inherent frame is a white tile grid, the un-relation is with the seductiveness to the eye of the Industrial object, the unrelation with the objectified quality of a naked body. The relation is with the plant, with the soil from Kenya that was a ritual conversation. The Museum is a white tile grid, an inherent distance with that other form of relation. We are still doing the rectangle in the grid of Modern dialectics.
The video has been part of the Exhibition ‘The Long Minute’ curated on digital platforms by Bronwyn Lace in ‘The Center for the Less Good Idea’ - South Africa.